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The large size of the theater (in its final form it seated 20,000 people) and the distance of even the nearest spectators from the performers (more than 10 meters) dictated a non-naturalistic approach to acting. All gestures had to be large and definite so as to 'read' from the back rows. Facial expression would have been invisible to all but the closest members of the audience; the masks worn by the actors looked more 'natural' than bare faces in the TDA. The masks of tragedy were of an ordinary, face-fitting size, with wigs attach and open mouths to allow clear speech. Contrary to some later theories, there were no 'megaphones' in the masks, and their decoration and expression was quite subtle, as vase paintings from the 5th and 4th centuries demonstrate.
Category: Mask tradition
Added on: Jun 13, 2002 | Hits: 12590
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